I enjoyed designing the lighting for this nightmare bedroom sequence in A Christmas Carole.
Gunnar Fischer at home, describing
how he shot The Seventh Seal and
Wild Strawberries.
Jorgen Persson was DP for My Life as a Dog.  Here we are during production
of Falsk Som Vaten (False Like Water), directed by Hasse Alfredsson.
A visual effects artist with real life lighting
and cinematography experience.
Here's a frame grab from my 16mm student documentary, Image Makers
in Swedish Cinema.  It was an amazing experience being on set while
Sven Nykvist was shooting The Sacrifice for Andrei Tarkovsky.  
Having a discussion about color with Conrad Hall.  
Nail color that is...  at the Beauty Bar in Hollywood
during a party after screening "Welcome to Heck",
a short film I shot for Jim Call (center).
for Zathura sometimes the robot was the real prop made by Stan Winston Studios and
sometimes it was the CG version; and sometimes a mix of the two in the same shot.
I had textured the CG robot before lighting and comping him into these shots.  That's unusual
for a large company but it keeps things interesting.
At least you never burn
yourself on the
barndoors
while lighting in the
computer...